In my last article, I mentioned recent efforts in getting to the bottom of what independent musicians want to know most about getting their music in film, tv, and advertising. By far, the top answer is “who do I contact?”
Today, I’m going to give you some ideas about who might be looking for music and where you can find them. Most of the information you need exists online as far as WHO you need to contact. Here’s a quick rundown of some GREAT resources.
Television & Film – It seems like everyday there’s yet another television show going on air and I would venture to say that 99% of them use music. The easy win here is IMDB. Check out a show you think your music would be appropriate for and bring up the full “Cast & Crew” details. Do a quick find on the page for the word music or music supervisor, and voila. Another idea is to simply check the credits on your favorite show that you DVR, and then Google the person’s name.
Advertising – Ad folks are no more difficult to find. Probably the biggest downfall to the ad industry is that the creative decisions might be funneled to a specific music producer but the final say is up to the end-client (the brand) or, at the very least, a group of creatives at the agency. This makes it tough because you can get into the running for a spot, but then at the last minute someone else can come along and veto. It can be a frustrating process if you let it get to you but if you learn to roll with the punches, something will come along. The best place to get contact ideas is AdWeek. It’s a cool publication all around if you have any interest in advertising outside of music, but they often post credits for their “Ad of the Day” where you can get names of specific people working on specific brands across the globe.
Video Games – Video games can be a bit trickier, but you have to remember that the people with the coveted positions as music producers and music supervisors have been interviewed, participated on panels, and generally are bombarded with enough attention that digging them up on Google is easy. Give LinkedIn’s search a shot, or try googling the video game company’s name along with “music supervisor” and see what you come up with.
People You Know – You probably have heard a million times that the best source of pretty much anything is your address book. I can’t emphasize enough that having a connection to someone who can potentially use your music will be the most efficient, least painful way to go about securing a license. Both parties involved will be more comfortable leading to more useful conversations earlier on. Hit up your Rolodex and see if you know anyone that works at an ad agency, in film or TV, or at a video game company. They don’t have to be THE music contact, but they will be able to help you in some small way if you ask.
Finding the right people is really straight-forward and easy to do. If you’re smart about it, you can put it to use TODAY to start building relationships with the proper folks. I’d like to emphasize “building relationships” and not “sending emails all about how great you are.” Keep that in mind before you start dropping emails to folks, they will VERY much appreciate a genuine connection versus yet ANOTHER artist sending them more music they’ve never heard of and don’t care about.
Ever notice how lots of commercials for the past few years have sounded a heck of a lot like the Juno Soundtrack? And before that all you heard were songs that sounded like “Clocks� The Moldy Peaches and U2 seemed to have made a lasting impression on advertising. Currently, that genre has been expanded and if you’ve got something folky and slightly under-produced that has whistling, hand-claps, a ukelele, or some combination thereof you’re seemingly in good shape.